Matthew Martin is Precentor and Director of College Music at Gonville & Caius College, Cambridge. He read Music at Magdalen College, Oxford before studying at the Royal Academy of Music and with Marie-Claire Alain in Paris. From 2015-2020 he was Director of Music at Keble College, Oxford and Artistic Director of the Keble Early Music Festival.
Matthew spent much of his early life immersed in cathedral music and in 2010, after six years as Assistant Master of Music at Westminster Cathedral, he decided to focus more on composition. Since then he has been commissioned to write music for the The Tallis Scholars, the choirs of Westminster Abbey, St Paul’s Cathedral, The Gabrieli Consort and The Sixteen. Matthew won the Liturgical category in the 2013 British Composer Awards, and the first disc of his choral music (Jubilate Deo) was recorded by Daniel Hyde and The Choir of Magdalen College, Oxford (Opus Arte/2014).
More recently, he has written for the Cheltenham Music Festival (Trumpet Sonata) and The Tallis Scholars (Lamentations of Jeremiah). His Rose Magnificat for Paul McCreesh and The Gabrieli Consort won the Choral category in the 2019 BBC Music Magazine Awards. Earlier in 2019, he was asked to write a festival anthem (In the midst of thy Temple) for the choir of Westminster Abbey, marking the 750th anniversary of its refounding, and a test piece for organ (Triptych) for the 2019 St Albans International Organ Competition.
Matthew’s music is published by Novello and Faber Music.
AN ENGLISH CORONATION 1902-1953
A spectacular recreation of the lavish English Coronation rite, performed by Gabrieli Consort and Players, directed by Paul McCreesh. Matthew Martin plays organ.
A ROSE MAGNIFICAT
Paul McCreesh leads the Gabrieli Consort in a collection of English works composed either before 1558 or after 1915, responses all to medieval texts associated with the Virgin Mary, including A Rose Magnificat by Matthew.